MASCULIN//FEMININ

the delicate pattern of lace hammered and pierced into the metal shards, draped in a gentle manner, flowing against the wall, creating stark, but beautiful shadows. the art of drapery and the curtain has cultural significance with life and death, change, transitions and closure.

Armoury
eleven hand-hammered metal shards of lace patterns, draped. Glasgow School of Art Degree Show 2025.

‘masculin//feminin’
hand hammered lace metal shard with brussels lace stitched collages, shown at the ‘Never Go Out’ exhibition, 2025, SWG3, Glasgow.

masculine//feminine and labour//mechanisation.

‘self-preservation’
handmade chainmail sculpture made from found can rings, suspended within a metal frame. shown alongside a video installation based on Jeanne D’Arc. Shown at 105 French Street, Glasgow. ‘Cudbear’ exhibition, 2023.
‘self-preservation’ detail.
film stills from ‘an ode to j’eanne d’arc’
filmed at the drying grounds in the east end of Glasgow, morphing the poles used within the domestic setting into weapons, images of power. handmade outfit including leatherwork, clay mask and knitted accessories to involve the feminine and industrialised. 2023.

a sound piece made by the artist based on and during the making process of the lace metal shards.



‘lace metal shards’, 2024
‘masculin//feminin altar’
installed with lace metal shards and brussels lace stitched collages. Pipe Factory, Glasgow, 2024.

MASCULIN//FEMININ